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pastimes, pleasures and
puerilities
PEOPLE have a good time in Shanghai, often because they have more time in which to enjoy themselves than they would have elsewhere, more often because the number of friends that people have comilig through, or staying for a short time gets them into the habit of entertaining and being entertained, but most of all because it isapparently a part of the Shanghai psychology to have as good a time as possible as often as possible. Even the missionaries get around, we understand.
Principle among the methods of diversion seems to be the good old pastime of stepping out. This is done by getting into the glad rags, taking on a few quick ones, going to your favorite evening spot, then somewhere else, and so on, and so on, (see our section on night life) until you wind up at either Del Monte's or the Venus. Then home. bed, milk of magnesia, and late to the office.
Newcomers to Shanghai, upon seeing the magnificent Race Course often got the idea that this forms one of the town's more exciting diversions. Unfortunately, this is not true. Racing in Shanghai is, in the words of our houseboy, no use. The system of betting is, in the first place, all wrong according to the standards of people who enjoy betting horses elsewhere. In
the second place, there are no horses in Shanghai -- at least, not
race horses. There are a number of animals who might possibly get by in the pony class at a Children's Gymkhana elsewhere, but no horses to inspire a bet five on the nose to win. The horse business, in Shanghai, is in the hands of gentlemen riders, most of whom are at least gentlemen. Some of them ride
very well, indeed. A race meet however has the atmosphere of an
English fox hunt, and nobody much is interested in an English fox
hunt except the hunter and the fox.
Hai Alai, which takes place continuously out in a splendid new auditorium in Frenchtown is interesting, has many followers and is as good a way to lose your shirt as we know of. You can lay a bet here just as easily as you could
get converted at the Methodist Mission. Hai Alai is an old Basque game, and tho town is filled with Basquards who have been imported to lend the local game an authentic touch.
Dog racing occurs regularly at the Canidrome, also in Frenchtown. Whippets chase each other around the track after a phoney rabbit and a good time is had by all. Betting is on the pari-mutuel system, the club getting fifteen per cent of the take. Betting tickets are bought in two dollar and five dollar denominations. This is as wacky a way to lose your money as we know of.
For those who like to gamble, the State Lottery offers a slower if no
surer means to the big money. A ticket costs ten dollars, a share (one tenth part of a ticket) sets you back a dollar. The big prize is 250,000 dollars but there is a complicated system of less important prizes and ones impression upon reading the list of awards is that everyone in China should receive some kind of prize. We have never known anyone who won a pretzel in this lottery, however.
chits, good and otherwise
The feminine writer of an extremely entertaining book
entitled "Audacious Angles on China" states that "in Shanghai,
a person may enter practically any restaurant or cafe and
merely inscribe his name and address on a slip of paper" in
settlement of the account. Either this learned lady was in Shanghai
prior to the depression or we'd like to get a list of the cabarets and
cafes that she visited for future reference. In the hallowed past, we
are told that this condition prevailed, and that it was an unusual
thing for a foreigner to carry actual cash with him. That some
personal chits (China side for I0U) had all of the validity with
persons who knew the signer of the chit or his reputation, of cash itself, and that such were passed from hand to hand like banknotes. This sounds like something out of Paul Bunyan to us, but be that as it may, as Allot harriet used to say, chits are off the gold standard today. Many chits are signed,
this is true, and some of them are even collected, but the Golden Era
for the man who says "Thank God, thats paid!" as he does an autograph for the table-boy, is definitely over. Nowadays, cash gets amiable benevolance, a check gets a wintry smile and a chit gets Oriental malevolance.
The lady writer goes on to say (regarding the chit) that they
"have no way of checking up on it, nor does they attempt to do so" simply
filing it away. Well, our only thought in regard to this is that she should see the wordy research conferences that go on outside while the chit signer is drawing on his gloves and getting ready to go. Corrugated foreheads peer from behind curtains or screens and everyone down to the cigarette boy
Is included upon an extemporaneously organized Board of Inquiry into the subject's affluence.
Theoretically, the means of collecting these chits is by sending
what is commonly known and humorously referred to as a "shroff" to the residence of the chitter in the hope of getting the money. To read from a shroff's report of results sheet, one would gather that the foreign population of Shanghai had suddenly and precipitously departed to escape a second uprising of Boxers. "Out of Town", "Out of Town" with an occasional
variation offered by some straight-forward soul in a hopeful "Call
around next week." To the average schroff, a payment of about one
tenth of the amount involved is victory and is regarded by the debtor as a magnanimous concession. Chits are made of very heavy paper in China these days. They have to stand a lot of wear.
In other countries, the problem is how to get money. The same
problem is complicated in China with the additional one of how to
count it when you get it. In the first place, there is "'big money"
and "small money." All that a foreigner knows about these two species during his first six months in the East is that he is supposed to raise an awful racket when he gets his change in small money.
Technically, small money is a silver
coinage in twenty cent denominations worth somewhat less than the
more standard twenty cent coin.
Actually, it is one of the many
ways that the coolie and small shopkeeper has of confounding the
foreigner, for no one, even many of those long here, are absolutely sure
of its ratio to the more orthodox "big money" and always feel that
they are being cheated out of something. And probably are. This (the learned paragraph on finance) gives us the opportunity to explain why there is little chance for hostilities between Japan and China. It seems that the whole matter can be traced to the Japanese yen for the Chinese tael. With these few remarks we conclude our treatment of finance in the Far East.
seen
On
the
streets
shops
THE two most commonly seen
commercial establishments on
a Shanghai street are the pawn
shop and the medicine shop. Both
are always large and impressive
structures. The pawn shops always
have a large single character on
the outside wall, this character
sometimes covering as much as two
hundred square feet and being two
stories high. Pawn shops are
everywhere, the reason being that
the lower class Chinese continuously keep some of their jewelry or
gems in hock. Instead of putting valuables into pawn in times of
financial duress, they reverse the procedure and take them out during
periods of affluence. The reason
for the redundance of the Chinese
pawn shop can thus be seen. The
cause for frequency of the Medicine
Shop is probably brought about
by the prevalence of disease of
all kinds amongst the people. These
shops are also large and ornate and
often have some sort of a sculptured group above the doorway, in
which the central figure is invariably a man with a long white
beard. Inside, in the rather shadowy interior, are to be discerned casks, wood boxes and urns in large quantities. Animal remains
and herbs from all over the world are brought to these places,
ground, pulverized and otherwise prepared. Amazing prices are
asked and paid for these potions. For instance, the pulverized tip of
a deer's horn, used to prolong life, brings a hundred dollars a copy.
Lately, hospital cars, painted white and fitted out as clinics by the Settlement and Frenchtown authorities, are giving serious competition
to the medicine shops. They drop anchor anywhere in the street and
dispense treatment and relief to the sick at little or no cost.
The Chinese have a tendancy to departmentalize their merchandising districts. For instance, on
Foochow Road for several blocks
above Hunnan Road, nothing is
found but book and stationary
stores, card printers and chop
makers. At Canton Road below Hupien, there is a district of men's
clothiers, further north on Hupien Road, a rash of men's tailors, en
Kiukiang between Honan and Fokien, practically nothing but
jewelers and valuable Objets d'art (Chinese style-no appeal for foreigners) and probably most interesting to foreigners, there is, on Canton Road, for several blocks east of Kwangse, a colony of stores selling nothing but the wierd if colorful gowns, wigs, false beards. swords and other paraphanalia of
the Chinese Theater.
Shanghai streets are to be heard
(and smelt) as well as seen. A
continual hubbub is a concommittant of the general scene, with
riksha pulleys constantly shouting their high-pitched warning to the
slow-moving, noisy conversations ever in progress, and the calls of
the foot peddlers. Every street rooms to have it's music, (or what
passes for music in China), whether it comes from the thoroughly
unmusical bands that Chinese merchants hire to play from windows
above their stores to advertise sales or from the shrill radio music com
mg frorn Chinese broadcasting stations. Every type of street
merchant has an individual sound peculiar to his business. Key
grinders and knife sharpeners attach to their paraphanalia a
collection of metal strips which jangle as the grinder walks.
Sidewalk restaurant keepers bang away on a section of hollow
bamboo. Sellers of musical instruments perform upon their
own instruments as they walk along and other ped~ers of various
kinds evolve noise from everything from gongs to whistles.
One of the commonest type of business place is the small-time
bank, or "change shop." These are
small establishments, one or more
to the block, which lend small sums
to local merchants upon personal
guarantee, no collateral necessary.
They also do a business in changing money, charging three coppers
for the transaction. Behind the
barred counters of these establishments, the money changer and what
is apparently the total male complement of his family can be seen,
lounging in bored opulance. Cigarette shops in China also sell joss
sticks, paper taels (to he burned in the temples) and various other
accoutrements of the religion rackett.
Provision stores are frequent and odorous. Butcher shops may be
picked out from the position of the butcher, who operates on his subjects from a throne high above the heads of the customers. This is apparently another piece of Chinese cunning intended to outsmart people who say "Why, that's all bone!" Rice stores sell rice and other cereals alone, dipping them out in scoopfuls from bins sunk in the counters. On Foochow Road, there is a particularly attractive shop specializing in the sale of duck gizzards, with hundreds-thousands of duck gizzards hanging in the windows, from the ceilings, to the walls. Nice thought.
One of the things most striking
to foreigners is the apparent over
supply of employees. Every shop
has about three times the number
of clerks that one would find in any
other country, most of them apparently having little else to do than
to look blank. The idea seems to be that anyone who has had the
fortune to rise in the world to the position of owning a shop or other
establishment is also on the spot insofar as his brothers, cousins,
nephews and other relatives are concerned. He is rather obligated to give them some kind of employment whether he wants to or not. Which explains why so many Chinese are content to remain coolies.
The second hand clothing stores are perhaps the noisiest types of
store in Shanghai. The salesmen stand in front of the shops holding
the clothing at arms length and reciting their virtues in a high pitched sing song voice. With two dozen salesmen going into their act at the same time, something resembling a cock-eyed version of a Gregorian chant results, which is something very choice in screwness.
Every block seems to have three or four coolie restaurants. Cooking
and eating takes place in one big room entirely Open to the street on
one side to permit the smoke and fumes and customers to get out.
The food is about the same, day by day, and the baking is done in a
large earthenware jug. The fire is in the bottom, the oven at the top,
a hole in the side and at the top providing the draught. One of the
cooks fans air into the hole at the side to increase the oven heat.
Coolies love to eat and do so every time they get a little money ahead,
which accounts for the prevalence of these restaurants. Ricksha
coolies drop off at some restaurant between fares to spend a large
portion of the last money earned upon a bowl of noodles or a freshly
baked f'vai wu.
merchants on the move
Street merchants are as common so Englishmen in London. Most
of them don't seem to do much btisi'iess but they apparently get a
lot of exercize. There are those who sell peeled sugar-cane (ready
for gnawing) and these are probably most common. There are
others who deal in watermelon seeds, sunflower seeds, peeled carrots, cakes, candies, shoe strings, ear cleaners, and all other commodities. There are sidewalk restauranteurs, who carry food, stove, dishes and all suspended
from a bamboo pole over the shoulders and are able, at any time, to
stop and give you a full course dinner, if you desire it, say on the
corner of Nanking Road and the Bund.
There are traveling seamstresses who perch on your doorstep and
takes the holes out of your socks and shoemakers whose shoulder
borne load includes all the leather and tools necessary to repair or
even make a pair of shoes for you.
other sidewalk phenonena
Even in the coldest weather sidewalk business is popular in
Shanghai. This is probobly because the Chinese will stop to watch anything. If one bends over to fix a shoe lace, he will straighten up to
find himself the center of a staring crowd.
Street altercations gather mobs. A traffic mix-up interests
one but the police who nonchalantly show up only after all participants exhaust their capacity for abuse.
The Silik policeman is perhaps one of the most interesting spectacles of the Shanghai streets. Tall and impressive, turbaned and bearded, they carry out their duties with irrefutable authority and yet with a philosophically humorous understanding of what its all about. A Chinese policeman inviolant argument with a coolie who has violated a street ordinance. Suddenly a Sihk policemen approaches, indomitably, like the
Juggernaut down Calcutta streets, his white teeth flashing in
an amused smile, grasps the coolie firmly by the ear, leads him out
of the laughing crowd to a spot further down the street, where a
well-directed motion of the boot puts an end to the situation.

Coolies sharing heavy burdens add to the general street din with
their cries of Ho-Ha-Ho, each taking his turn in alternating
the cry. An occasional wedding or funeral adds a little color to
the general scene.
With rickshas coming and going
in every direction, and following
no set procedure in traffic, and
people, after the Chinese fashion,
walking in the streets more often
than on the sidewalks, which are
apparently for the use of small
vendors and merchants, a Chinese
street scene is one of chaos and
turmoil.
Ricshas are of two varieties,
private and public. The public
ones bear two license plates, one
with their license number and another bearing a scale of rates.
The public ricksha is somewhat higher and less comfortable and
is certainly plenty more dirt while the private ricksha is usually lower, much more carefully painted one polished and in the winter is equipped with a lap robe. Private families of means sometimes have very ornate rickshas
with copper plated running boards, fancy upho!stery, and as the
greatest novelty of all, clean pullers. Ricsha coolies are perhaps
the most conscientious chiselers on earth. Worldly and quick to
capitalize on any situation, they will, with bland face, make the
most outrageous demands and moan all over the place if their
demands are not satisfied.
The Chinese bargain in advance with them. Picture of a Chinese
woman engaging a ricksha. She makes known her destination, looking the other way as if she were not greatly interested in going to that spot, and might change her mind if the price were not right. Coolie sets a price that he knows
he doesn't stand a chance of getting. Woman commences to loftily walk away. Coolie follows loudly citing reasons why his riesha is the best ricsha in China. Woman ignores him commencing to call (not very loudly)
for another ricsha. Coolie comes down in his price muttering meanwhile about lady's stinginess. Lady still doesn't know he's there. About the time that all the other ricshas within ten blocks are charging up at the top of their lungs, coolie is down to his rock-bottom price and the lady climbs into the
seat with studied magnificence, Fadeout, lady and ricsha coolie happily tooling along towards the horizon.
Sidewalk stands are frequent. Outside of the usual purveyors of
foods, sweets, sugar-cane and small personal articles, there are upon
the pavements representatives of the arts. Letter writers are common. each behind his table and willing to offer his services to the
first illiterate who comes along wanting to write to his cousin in
Soochow. Somewhat similar in appearance are the fortune tellers
who will permit' those curious about the future to choose a rolled up scroll from a number of these in a box, and interpret that scroll for them in terms of asttology, psycho-analysis or what have you.
An interesting street-sight to the newcomer is sometimes found
on Bubbling Well Road at Mohawk Road. There, fronting the stables are two stone gods that are regarded by stable boys and Chinese riders as being "good joss" and one often sees in passing quantities of lotzoh or punk
sticks burning, placed there by devotees to both gods and horses in
the hope that their particular nag will nose in first. Amahs with "sidewalk girls" in tow do the same thing as a prelude to the night's work.
Booksellers are also plentiful
displaying numbers of books against somebody else's wall, most
of them being volunes popular with the grandfathers and great grand-fathers of the people who shuffle by in front of them. Dealers in
art plaster the walls with lurid lithographs of girls reclining (rather uncomfortably it seems to Western eyes though most of them seem to be smiling bravely), girls in aviator's helmets, girls about to take a bath, apparently, and just girls.
Foreigners sometimes wonder at the sight of a Chinese with what
are apparently circular black pieces of court plaster on either
aide of the eyes on the lower temple. Those, ladies and gentlemen,
are the China-side substitute for lisperin Those are headache
eradicators. Another curiosity is the outer clothing of young infants which is always a brilliant scarlet. Still another common sight are the mourning shoes of the male, white and very similar to the footwear in which the unChinese play tennis.
A common sight is a person in the throes of some sort of fit,
badly hurt or ill lying on the pavement with a circle of apathetic
persons about him. Such a person will never be assisted by anyone
in the crowd that gathers around him or her for it is a Chinese belief that to do so renders one responsible for that person from then on and for his soul in case he dies.
The Chinese street scene is a colorful one, diverse, swift moving
and capable of producing any kind
of n situation. Hoarse shouts and
shrill cries, staccato sounds from
bamboo section drums, the wail of
native violin or flute, the blare of
an unbelievably lousy advertising
band aael the constant monotonous
obligatto of human voices. People
of almost every type, in every stage
of opulance or poverty, health or
wretchedness, race, color and
breed. Beggers, monks in flowing
black robes, coolies grunting under
loads that a union stevedore would
split into three, sihks stalking
proudly through the Chinese in
overcoats usually three sizes two
small for them and followed by
their women in grotesque but
colorful flowing robes, modern
Chinese in Kollege Kut Klothing
who avoid the mud puddles very
carefully and give a cold stare to
their gowned countrymen, carefully
primped girls strutting along as
disdainfully as if it were a world
ful of coolios, old-regime ladies
tottering uncomfortably along on
bound feet, baffled female American tourists from Dunkett's Falls,
Iowa, who are SIMPLY NOT going to eat anything or drink any
water until they get back to the
hotel, clutching their guide-books,
kodaks and sometimes their noses,
Japanese women in colorful kimonas and obis teetering along
on wooden slippers and thinking,
every time they are jostled by a
Chinese, "Well, it won't be long
now......" People - all kinds,
the color and tang and spice of
China is not in it's temples nor in
it's lotus strewn gardens but in its
crowded streets.
nymphs de pave
No small part of the noctural street scene in Shanghai is contributed by the ladies whose commodity is love, cash and carry.
Thibet Road between Avenue Eddie the Seventh and Nanking
Road is practically infested with these charming ladies from the
earliest sign of twilight until three and four in the morning. From
one A.M. on, the region around Kiukiang Road and on over to Peking Road from Nanking Road is the hunting ground of the damsels and hunting ground it is. The weak of resistance are the prey of sometimes two and three of
the gals who work in a concerted onslaught, grasping the victim firmly by the clothing and doing their best to work him into
a doorway or other place where
they can compromise him to the
extent that he loses face if he
doesn't accede.

Each girl is accompanied by an amah, who recites her protege's charms, virtues and accomplishments and otherwise negotiates with the clients. Meanwhile, the girl stands by and looks bored.
On a warm evening hundreds of these girls are out, filling the
street, giggling and wise-cracking at the appearance or demeanor of
the male passers-by, horse-playing with each other like high school
children while amab keeps a wary eye for customers and police.
Sometimes the law puts in an appearance. Then all of the girls,
like some startled colony of pygmies at the approach of giant.
take to their heels in a wild rush for doorways and basements and
the midnight street is left to the sardonically smiling ricsha coolhes.
who smile because they know that the only advantage they have
that their trade is not unlawful
the
fleshpots
night life in shanghai
As has been said, night life in
Shanghai owes much of its spontaniety and natural atmosphere to
the fact that it is as much the year-in-and-out residents as the
visitors who do the reveling at the
town's night spots. People who
never go for anything worse than
a sundae at Schmidt's Sugar Bowl of a Saturday evening at home
in Keokuk, regard themselves as stay-at-homes in Shanghai if they don't step out a couple of times a week.
The Chinese are also inveterate
whoopee-makers. They love to
get out and around and be seen
at the smart places. However,
excepting at the Chinese cabarets,
they are received with not exactly
the utmost in cordiality. in view
of the fact that they practically
never go in for hard liquor in a
big way, sometimes spending an
entire evening nursing a glass of
tea. This sort of business, of
course, gives the cash register no
exercise. The Chinese pay their
chits when presented, however,
which is something.
Naturally, there are many phases to the night life of the
town, many ways for many kind of people.
If the general atmosphere of Shanghai seems to have a somewhat carmine hue, think nothing of it. So continuously and continually is the job of "painting the town red" done, that it's bound to show somehow.
Technically, there are but three ways of making whoopee in Shanghai. Number one is by sending the boy out for three quarts and some
ice, and telephoning Clara and Dick to come over and lift a few. This
is known as "going to town while remaining at home," and is the least
expensive. Then there's the business of gathering the clan and making
the spots, St. Georges, Del Montes,
etc. and is known is some quarters
as "going to the dogs." Can be expensive. And last, there are
those who incase themselves in silk
and white linen and sally forth to
places of the cover charge type, the
only real difference between this
and the last class being that it
takes them longer and more money
to feel their liquor. This is known,
(by the people in the second class)
as "going highbrow" and can be
extremely expensive financially,
coming under the heading of
"major appropriations."
As a night life town, Shanghai is different from New York and other cosmopolitan centers in that it is the natives as well as the visitors who do the night revelling. Although at the time of the writing of this book, night entertainment business has been poor in Shanghai, the town's residents have supported their night clubs quite strongly.
Amongst the leading spots are the Tower, atop the very gilt-edge
Cathay Hotel, the Sky Terrace, atop the Park Hotel, the Paramount Ballroom and the Cathay's ballroom which is purely a smart place to dine and dance but doesnt remain open late. The Little Club, long the most famous of Shanghai's
smart night clubs recently folded up rather ingloriously after an attempt to operate on somewhat different lines than employed during its hey-day.
The Tower, under the able management of the ambilinguistic
Freddy Kaufmann is one of the most popular spots. Singer, pianist,
intimate atmosphere, and so forth. The Sky Terrace is notable principally for the fine view of the racecourse and of the electrically sensational Shanghai horrizon. In other ways, it is exactly the sort of a night spot one might find in Paris London or New York. Good entertainment, genteel so roundings.
The Paramount is unique in being one of the largest class good time
spots in town and offers a very deluxe product in the way of entertainment, atmosphere, and so on.
dime a dance, china style
The Chinese love to dance. And do it very well. Surprisingly
strange in a people whose national music sounds like tormented tom
cats, is a sense of rythm that makes them excellent dancers, both men
and women. And so, the cabaret business, distinct froni the cafe and
night club business, flourishes. And especially, Chinese cabarets, which
are institutions quite unique.
The typical Chinese cabaret, large and spacious, it is usually
decorated to the most remote corner, with perhaps a half a dozen
incongruous and clashing types and styles of Western ornamentation fighting for honors. The orchestra, invariably Filipino, pumpmg away at a-tune-a-minute rate continuously between the hours of eight and two, three or four o'clock, rather lackadaisically esconced on the bandstand. Whitecoated table-boys by the score, about twice as many as necessary, since they work
only for their tips and chow. The guests, mostly male, very blase,
apparantly quite unaware of the dancings girls, or "woo niuhs" who
sit but an arms-length away from them, noisily eating watermelon
seeds, a dish of which are placed on
each table by the management as a gratuitous gift. And last but most
important, the woo niuhs, slim, nonchalant and self-possessed and
self-sufficient to the nth degree, cuddling their miniature hot water
bottles if it is winter time, and acting for all the world as if they
were really just waiting for a street car and no amount of dance
tickets could tempt them onto the floor.

The proper and recognized procedure seems to call for extremely
snooty behavior on the part of the dancing girl until some stage of
intimacy is reached. This means after about the tenth dance and is
intended to give the general idea that she has plenty of business and
did'nt really need you at all. Girls in the better class dance places will
not accept less than three or four dance tickets, and if offered a
smaller amount will tear them up in the face of the giver. The idea
is that if a client dances but once
or so and passes on, the girl's
charm, dancing ability or something is impuned. She lose
"face" with her colleagues and contrives to pass some of that loss
of face on to the guest in the above mentioned fashion.
Dancing girls are notoriously temperamental and their relations
with the management are much the same as those between a prima
donna and an opera impressano. Arguments over treatment, fancied
slights and such trifles as the placing of their chairs, etc are always
arising and popular girls have to be handled with extreme unction
as they will quit on the drop of a watermelon seed.
The woo niuhs sit on the edge of the ballroom floor in seats the
arms of which has been bored to hold a glass, kept filled with tea.
Service to the dancing ladies also includes a boy (in the winter time)
who is kept busy keeping the hot water bottles of the woo niuhs
filled.
The price of dance tickets varies
from three for a dollar at the best
places to eight, ten and even fifteen
at some of the dives. The girls
receive on an average, about one
half of the price paid for the ticket,
and some of them, with gifts from
their custoniers make what is an
enormous salary for China and for
a women. Two very popular sisters dancing at one of the town's
best spots are credited with making
a monthly salary of better than a
twelve hundred Shanghai dollars
between them.
The morals of the class are about the same as respectable women
everywhere, that is adamantly negative most of the time, charmingly complaisant upon occasion. One outstanding feature of dancing
girl character, however, is the complete dignity and composure displayed at all times even among the charmers in the worst Hongkew dives, and the absence of all vulgarity or coarseness from their
conduct. No matter which of the
many rather gaudy sins available
in Shanghai a woo niuh chooses to
commit, you can be sure she will
do it gracefully, with dignity, her
head in the air.
There are also many Russian,
Japanese and Korean dancing girls
in Shanghai. Strangely, there are
no American, British or other foreign hostesses. Places having
such varied groups to choose from proudly advertise their "International Hostesses" and invariably draw a heavy business from young Chinese males.
some night spots..
Heading the better Chinese
cabarets in Shanghai are the
Majestic on Bubbling Well Road
across from the race course, the
Ambassador on Avenue Edward
VII, the Casanova (all Russian
hostesses) on the same street,
with the well known Tom King at
the helm, Santa Anna's, on
Love Lane, and the two popular
Bubbling Well resorts, the Vienna
Gardens and the Metropole
Gardens. The latter we believe,
would give anyone interested
in the subject, the best possible
birds-eye view of what a high class
Chinese cabaret is like.
Operated by "Jimmy," who keeps the restaurant mentioned elsewhere
in these pages, is the St. Georges Cabaret on the Route Doumer in
the French Concession. Though the premises of this cabaret are decidedly archaic and unattractive, the attendance is quite large.
Del Monte's, one of the latest
closing spots in Shanghai is quite
famous. It has quite an assortment of Russian, Hungarian and
other assorted varieties of dancing girl, all of whom "double in bass",
that is, dance for the customers individually as units in a floor show
as well as dance with them for tickets. Known for years as a place
to go when all of the other places had closed, Del Monte's is visited
by all classes and types of people. It's most noteworthy distinction,
perhaps, is a modified form of the old time honky-tonk atmosphere
which perrists despite the fact that the bouncers and other officials of
the place have been buttoned into soup and fish outfits.
anything can
happen at the venus
Possibly the best known and most colorful spot in Shanghai is the
Venus Cafe. Located just inside of Chinese territory in Hongkew
it is not subject to the early closing
laws prevalent in the Settlement
and opens its doors to nocturnal
strays until the cold gray dawn
filters down from the filthy rooftops
abutting Jukong Alley. Owned by
an agressive American named
Levy, it has since it's existence attracted specimens from every
stratum of Shanghai night life so that its purlieus resemble, on any
night, the office of a movie casting director about to make a picture on
the Far East.
A trip to the Venus is worth the sleep lost and is part of anyone's
education. Getting out of your taxi at the juncture of North Szechuan Road and Jukong Alley, you are faced with the problem of getting to the garishly lit doors of the Venus without being blackmailed into contributing to the weal of some dozen beggers who apparently base their importunities upon
the fact that as you are headed
for a good time, common decency
demands that you supply their
demands. Chief amongst these
gentry is a tall cadaverous
Russian youth with a meager
coat, collar up, clutched together with a palsied hand. A
white face, staring eyes with a
wordless appeal and mute, pinched
lips complete the act. This lad
had us in a state of incipient meloncholia for months until we saw
him, during Russian Easter, in
very changed raiment, toddling a
beauteous blonde into a sukiyaki
parlor on the Avenue Joffre.
The first thing encountered upon entering the entrance of the Venus
is a sign which reads "No More Chits Accepted." Then another succinct memorandum "Out of Bounds To British Troops." (The whole Hongkew area is out of bounds to American Troops). However it is distinctly "in bounds" to Japanese troops.
The cafe itself is not extraordinary in appearance. The usual conglommeration of artistic effects, the garish lighting effects (China is probobly the only place in the world where Neon lighting is used for interior illumination), and the routine force of dancing girls. The dancing girls at the Venus perhaps deserve a little more than the ordinary treatment in this volume. In the first place, these lasses are entirely in sympathy with the slogan of a large American manufacturer of paint "Save The Surface And You Save All." Some of them bear startling resemblences to the Benda masks so popular a few years ago while others, more subdued, just look as if they had used the lipstick in the wrong places. Dresses here are of the going-to-town variety where decolletage is concerned. More than half of the girls at the Venus are Japanese. There are a number of Chinese, Korean and a few Russian girls but the Japanese gals seem to do all of the business.
Entirely more interesting than the employees of the place, are the
patrons. Sailors on the lurch, brokers and proper business men
hoping that their number ones
aren't likely to hear of the trip
to the Venus, their number ones
hoping that none of the employees
see them, dinner coated parties
slumming and raggedy-rear parties
high-lifing, newspapermen, musicians, butchers, bakers and sometimes a candlestickmaker or so.
The Venus begins to come to life
at about three when some of the
other spots begin to close. Four
kinds of people go there. The
people who don't go to Del Montes,
the people who want to sin conspicuously, the people who want
to sin inconspicuously and those
who have that happy alcoholic feeling, and want to keep it. Musicians
from the other night clubs show up
for the same reason that busmen are said to go for a busride on the
day off. The dancing girls make their boy-friends takes them there
because it gives them an uppity feeling to relax and play before the
working dancing girls in the place, and also to chat with their colleagues and discuss the day's business. Then, in addition to the high toned foreign visitors, there is the usual background of petty gangsters, dance hall play boys, American marines in civilian clothing, and assorted drunks. The
Venus is popular with the Japanese too and girls in the Nipponese
kimona and obi are quite a common sight, creating a somewhat refreshingly colorful contrast to the tawdry magnificence of the place.
From three until towards five, a
carnival atmosphere abounds. Everyone gets nut and dances, excepting sometimes the formally clad ones from the drawing rooms,
who stare glassily out upon the antics of Boatswain's Mate 3rd. Cl.
Whitey Jones, who has forty dance tickets in his pocket and is going to
town with Sizouki San in a great big way.
As the party begins to grow less hectic, as the prosaic yield to yawns
and the ladies yield to importunities, the waiters are to be found
sneaking off the unused table covers, the music becomes slightly
less danceable, and the dancing girls who are not engaged frankly
curl up in their chairs, wrap their coats about them, and abandoning their earlier graceful poses keep their date with the sandman. Not permitted to go home until the last note is played, they make the best of it.
Outside in Jukong Alley, its cold and gray and dismal. The beggers
droop dismally along the walls, ready to spring into whining
activity at the outward swing of the Venus door. The fat old Russian wench fondles the Shirley Temple photographs that are her excuse for begging. The little alley which a few hours before was picturesque and atmospheric becomes sordid and ugly. Dawn has checked in at the Venus.
the primrose path, de luxe
Much has been written about
Sing Song house. If one, however, cherishes romantic illusions
that these famed versions of the
mundaine seraglios of other lands
are wildly lurid rendezvous where
one can give the fleshpots an awful
workout and help ones self to an
armful of beautiful Sin, amidst
scenes of Oriental volupte, one is
distinctly wrong.
Strangely enough, decorum,
"good form" and the observance
of what to Westerners is a very
stiff and stilted ettiquette, are the
keynotes of the activities between
the class a ghee niu, or Sing Song
girl, and her customer or customers. In other words, raised eyebrows and extreme coldness would be accorded the woukl-be sinner
who sailed into one of the very
elite establishments on Swatow
Road sailed his hat onto the rack,
slapped the amab on her posterior,
and greted the assembleil niuh with
a cosy "Hello Toots". The procedure is somewhat different.

In the first place, a Sing Song house is about the only establishment of its kind that very emphatically discourages foreign clients. Possibly because other Chinese males, with the secret distaste felt by them for sharing intimate occasions in Western company, or perhaps because the egotism of the
sufficiency is distasteful to the pathalogically sensitive egotism of
the Sing Song girl.
Painted generously, scented extravagantly and arrayed in attractive if rather extreme versions of the prevailing Chinese mode, the
ghee niu is borne by her ricsha
coolie to the scene of her professional activities, shortly after the
shades of evening have fallen.
Most of her engagements are made
by appointment and she entertains
her guests in various ways; by
singing, by reciting, playing upon
Chinese musical instruments or
participating in card, finger or mah
jong games. Finger games are
very popular, possibly because they
give onlookers a chance to vicariously enjoy the game. by kibitzing,
wise-cracking and howling uproariously at every play. Two
people play, each thrusting one
hand out with any or all of the five
fingers upraised. Alternately, each
player calls out a number from one
to ten with each thrust. If the
total of fingers upraised from the
hands of both players equals the
number called, the person who has
called the number wins the bet.
Good clean fun, considering everything.
how to kill a lonely evening in shanghai

Request For A Sing Song Girl.
Mr. Chang. Sing
Pao requests that
Miss Ling Shing
come to the Mei
Yuen Cafe, Room
No. 1, address Ping
Voag street, corner
of Foochow Road to serve wine and
entertain.
Do not delay.
Facsimile and illustration of Sing Song Girl request. Restaurants
keep these forms on hand at all times, Male customers fill in the
proper data, the chit is sent, and a lonely evening turned into some
thing to write home about.
In Sing Song houses of the best class, the customer and not the
girl, is the wooer. In fact, the granting of her favors is entirelv
up to the ghee niu herself, and for a man to woo a lady for many
moons and finally wind up with the air for his pains, is not unusual.
In any case, many visits are required before any comparative degree
of intimacy is attained. And of course, during these visits, much
wine and tea is consumed, much food eaten, and many games of
cards played (at twenty-four dollars a game to the house) so the
management is not concerned as to the when or the if of the damsel's
surrender.
Another departure from the conventienal is the business method
employed by such places. which is
distinctly not on a cash and carry
basis as elsewhere in the world.
The display of money is considered
decidedly vulgar. Statements for
the services of the house and the
ghee niu are sent to a customers
office or home at regular intervals,
and adjusted by the seragho's regular shroff, or bill collector.
Obligations of this sort are regarded by Chinese somewhat in the
manner that Westerners regard
gambling debts, as being debts of
honor, requiring payment before
all other matters. Gentlemen
about to go bankrupt invariably
settle their sing-song debts before
declaring their insolvency. However, failure to pay does occur and
sing song houses sue and collect,
not only in Chinese courts but in
the courts of the International
Settlement, presided over by decorous foreigners who must gravely
hand down decisions in favor of
these high class bordellos.
No stigma, normal or social, attaches to the Sing Song house
habitue. In fact some of the town's elitest big shots with large domestic
establishments of their own, make these places their regular nocturnal
headquarters, and give parties inthem for their friends. One of the
advantages in this system, of course, is that if your dinner partner bores you, you can make an exchange.
Entertainment is not cheap. An evening's dalliance will cost in the
neighborhood of sixty or seventy dollars Shanghai currency, at a
minimum, and can run as high as several hundred dollars easily.
The financial standing of the clientele can be judged from the
sight each evening of lines of large, expensive cars in this district,
their chauffeurs lounging in groups discussing, probably, the morals,
disposition, virility and amorous proclivities of their dallying
masters.
Most of the Sing Song girls are very young, between the ages of
fifteen and twenty-one or two, although girls with exceptional
personality and physical attractiveness have worked at an older age.
Unlike their Japanese colleagues of the same profession, there is no
excess of gray matter hidden away beneath the jewelled black ringlets
of the nius. The majority of them fall very easily into the category
of beautiful and dumb.

Lovemaking between the Sing
Song girls and their swains takes
a very strange form. Not until
the very final intimacies does any
form of spoken endearment occur.
The first part of the courtship is
spent in an exchange of bantering
derision, and lavishly imaginative
comments upon the capabilities and
shortcomings of the other party.
There are, of course, different grades of establishments. In some
of the less exclusive establishments, Western civilization and culture
has exerted it's influence, with the result that the inmates are treated with less consideration and the clients expect more action in less time. Occidental efficiency and the speed-tip system will soon have
these century old establishments on a modern basis, or something.
Chinese may, and do often attempt to refute the fact that the
Sing Song institution is prostitution in it's most genteel form. They
hope to give a virtuous, platonic and aesthetic tone to a custom that
so many high in public and business life suhscribe to. But the fact
remains that all of the musicmaking, card-playing and other
forms of bought flirtation are but the means to an end without which
the entire affair would lose it's significance, and he looked upon as
so much lost time and money.
jukong and blood alleys
Two choice spots are Jukong Alley and Blood Alley, each at
opposite extremes of the town, at either side of the Settlement.
Blood Alley, known to the genteel as the Rue Chao Pau San,
is probably a sailor's idea of heave". At night, this gentle area
is a blaze of light, a blare of color and can he heard - almost felt
- all the way down to the Bund. There are fifteen cabarets, starting
with the Fantasio-very select to the Ritz, which is also very
nice, too. The street is filled with the animal life indigenous to such
surroundings, taxi-hustlers, procurers, beggers, Russians willing-to-reveal-the-night-life, ricsha coolies, massage house steerers, stolid
Annamite policemen and optimistic sharpshooters of every stripe and
hue. Sailors, marines and occasional civilians of every nationality
wander, teeter and finally stagger from place to place, pausing only
now and then to punch each other on the nose as the occasion demands. Apparently assault only becomes a violation of French law
when bones are broken, or maybe
nothing counts on Blood Alley as
long as both parties keep their
fingers crossed, because few people get arrested there.
Just the other side of the Settlement gate, and in the Chinese late-closing area, is Jukong Alley, scene of the Venus Cabaret, already described. Here are probably the greatest collection of
honky-tonk cafes ever assembled
on one street. Most of them are
Russian, some are Japanese, all
of them something extra special
in what the Well Dressed Man is
avoiding this season. That is,
outside of the Venus, and an especially choice resort, called the Red
Rose, quite popular with the Russians.
Here at the Red Rose, where Russian Gypsy music and singing
gets a big play, they have an act
which bids fair to be the best act
in town. A woman (very enbonpoint) creaks out onto the floor
to sing a painfully operatic number. In the midst of the number, a man can be perceived stealing out of the kitchen. He pauses
behind a post, hurls a coin out
onto the floor, and whips back into
the kitchen. The coin is a decoy.
People are supposed to follow suit
and drown out the song with the
music of falling silver. But no
one ever does. Sometimes the
stooge from the kitchen tries again.
Nothing ever happens. One of
life's minor tragedies but very
fascinating after the fourth or
fifth visit to the Red Rose. You
get to waiting for the man to steal
out of the kitchen.
there
are
also
some
chinese
in shanghai
quaint people really
To most foreigners there are but
two kinds of Chinese, the clean
and the the dirty. However, the
situation is more complex than
that. There are Chinese who like
foreigners and those who do not
and are very much in the majority.
There are Chinese who are very, very Western, modern and sophisticated in their activities and outlook and other Chinese who condemn them seriously for being so. Then there are the "returned students," so earnestly and garrulously interested in the promotion of Occidental-Oriental goodwill, with committees and associations and other impedimenta,
that its rather painful. And of course, there are always the coolies
who, if somewhat filthy and noisome, are at least without inhibitions or complexes.
The younger Chinese are split into two groups. One is an eutrasmart, very sports-clothsy, country-clubular set with all of the nuances
of Long Island and Mayfair behaviorism, which is something that
Freud really missed. The other group, in greater majority, are
seriously following a back-to-China movement, which means a reversion from the foreign influence of the past thirty years and a return
to real Chinese, customs, dress, manners, philosophy, intellectualism and conduct of life. Which gives them the edge on the ultra moderns.
In any case, the better class Chinese of both camps go in for
social life in a great big plentiful
way. Teas, balls, dances, garden
parties and benefits till it hurts.
And Chinese women are assisted in their adoration of the social
amenities by the fact that male Chinese don't mind getting into
the soup-and-fish-in fact they like to-and the result is that even the
most ordinary of Chinese acairs are good copy for the rotogravure
section. In the past, parties of
mixed foreigners and Chinese were
quite common, but there has been
a tendency toward the inclusion
of less foreign guests more recently. Possibly the failure of
Western nations to intercede in
Far Eastern crises the way they
did in bygone times may have
something to do with the not-so-
amiable attitude of the Chinese.
It is considered quite a personal
compliment for a foreigner to be
invited to a Chinese home for
what is known colloquially a
"Chinese Chow." We will not go
into detail here upon the details
of a Chinese dinner, having dealt
with it elsewhere in this learned
treatise, but we will just mention
that it is rather incongruous to
come to such a party, sip a cocktail with the assembled guests in
Western style and be considerably
impressed with the cultured English, informed conversation and
evidences of what Occidentals regard as breeding displayed by all
hands, and then go into the dining
room, and see said persons eating
from communal dishes in the center of table, with lavish contributions to the table cloth, sucking in edible fluids with complete
abandon, ejecting from their mouths the undesirable, and getting as close to the foodstuffs during the entire performance as
their noses will let them. Or maybe its the fault of the chopsticks.
Chinese women are quite lovely and exotic in appearance. Their
long, panel gowns fitted to their generally slim bodies, their coifure perpetually perfect in its delightful complication, and invariably small feet in possibly smaller shoes, they unquestionably score insofar as appearance is concerned. For some reason, foreign women are completely unable to
wear Chinese clothing with anything approaching the effect achieved by the Chinese, in fact they look pretty terrible in them for the reason that the Occidental curves are in different places. if you follow us. And if you do,
you shouldn't. And while on the subject of Chinese women, we want
to go on record as exposing the age-old Occidental belief concerning their physiognomy. In the words of a certain United States senator, after his first twenty-four hours in Shanghai, "It aint so!"
Chinese men are of no interest to anyone except themselves. They
wear long black gowns, like tea and grow rather obese after forty.
The lower classes, always safe to discuss, offer many and diverse
opportunities for comment of various sorts. Males of the working classes can be roughly if vaguely divided into two classes,
coolies and boys. We have never
been exactly certain as to how to
definitely differentiate between certain products of these two classes
that seem to merge, but we can
best advise you that a "boy", technically speaking, seems to be a
washed coolie. Also the word
"Boy" spoken in a loud voice, denotes that you want something
done that in the United States,
you would do yourself. Houseboys,
or domestic servants as you will
be surprised to learn, are a class
to themselves, almost a race to
themselves. They know more
about you than you know yourself,
and think less. They infest the
dark regions under the stairs and
back of the kitchen and are always going to send out the laundry tomorrow when you expected it back today.
houseboys. and other
necessarv evils
When a househoy gets to the
point that he knows about all of
the discreditable things about his
master and missy, he is made a
"number one boy." One of the
best qualifications for the post of
number one boy is a competance at getting rid of shroffs, or bill
collectors. This, coupled with an ability to tactfully awaken and
dispose of mislaid inebriates from the night before, before master and
missy come down to breakfast, constitutes the repertoire of a perfect
number one boy.
Much is said of the efficiency of Number One Boys. In fact, even
the least vain of men are apt to boast about their boys, and will
recite long boring stories to prove their boy's ability, resourcefulness
and intelligence.
And so we tell the story of the Number One Boy whose master
was very proud of him. Master went state-side to marry his childhood sweetheart, did so, and came back to China. All the way back,
he talked his bride silly with yarns about the number one boy. Finally, after some delay and difficulty on the last lap of their trip, they
arrived late at night at the young master's home, and turned in.
Next morning, the young busband arose and left for the office
leaving his wife to sleep. The number one boy came in, took a
look at the situation, went out, and returned with a five dollar
bill which he tucked into the sleeping wife. She awoke with a start.
"Can go now, Missy" said the omiscient number one. "Masta
have gone work."
Chinese life is essentially elemental, being hampered with nothing more complex than the ageold superstitions which are fighting a losing battle with the apathy toward such things that civilization brings. Still the old custom
persist.
Chief amongst the current observances of old custom are the funeral and the marriage rites, and even these are gradually under-going a blending with Western custom. Many Chinese girls of ordinary class marry in veil and
after Western fashion. same manner as fish, slit up the
midle and put on the table whole,
where it is then sliced. The meat
is firm, white and inclined to be
very oily.
A ceremonial dish, served at
banquets and formal dinners is
wha t'sen which is a steak taken
from a monkey.

Field mice, skinned and fried in deep fat, is a very popular dish
among the coolie class in this part of the country. At one time the
eating of cats was a common custom, but Western influence has
partially done away with this, as far as we know. During great
famines they have been known, though rarely, to resort to eating
babies, hut as they so naively put it, "they don't eat them as rare
as the British eat their beef.". . Oh Well!
Taking of food probably ranks second only to the eating of it,
and the eating certainly ranks first in the heart of any good
Chinese (or bad).
the beggar kingdom
Outside of returned students and
business men, the best English
spoken in Shanghai by Chinese,
is spoken by the begger class.
Please understand that these are
not ordinary beggers, requiring
from the world, in exchange for a
plaintive whine, a pittance that
will sustain a wretched existence.
These high toned mendicants are
professionals, masters of their art,
specialists in whatever form of
argonizing that their art may take.
The beggers guild, an organization that has put begging on a
paying basis in Shanghai, is better and more effectively organized
than the Standard Oil Company. A prospective member is examined
as to his capabilities and rated accordingly. If he has always been
a whining begger and the guild comes to the conclusion that his
capabilities are of a different hue
and he's been wasting his time
whining for people when the
market is already glutted with
whiners, then he is persuaded to
change his act. Ragged suits (often very patently ragged) are provided. He or she is encouraged
to get good and dirty (excessive
coaxing is not necessary) and then
with the character created, the
scene is laid. Shanghai is plotted out by the guild and beggers
are allocated to certain beats with

systematic finesse. And their
locale is changed carefuly from
time to time. In this way, though
there are thousands of beggers,
one never sees mobs of them together, as in India, and, on the
other hand, no important spot is
without it's outstretched palm, or
palms. Their rights are carefully
protected by the guild and in many
other ways they are taken care of.
For all of this benevolence, the
beggers from their not-too-bad
earnings, pay a regular cut to the
guild.
Nauseously afflicted and eyeless,
maimed or otherwise repulsive medicants are as common as Englishmen with adenoids. Female beg-geresses carrying enormous children well able to walk abound.
Many of the mendicants are good entertainers. Jugglers (after a
fashion), are common. Along the wharves, begging acrobats, do very
well, especially when cruise ships, packed with tourists, are in.
There are also singing beggers (usually women and very poor singers, even for Chinese style) and comic beggers, whose comedy consist for the main part, of grimaces and the effect of grotesque hats.
Most interesting to foreigners are the small girl and boys who
beg In the foreigner-infested district about the Cathay Hotel and
Bund region. The stock-in-trade of these children, who are between
the ages of five and fifteen, is an immense geniality, a keen know-ledge of what will make the foreigners laugh, a remarkable gift for repartee, and all the personality in the world.
The little girl who makes her plea for money on the basis that
she has "no mama, no papa, no home, no chow, no whiskey-soda" is famous. This damsel knows her customers, spots them a long way off, and will follow a ricksha for blocks, making the most personal remarks and enquiries, until her victim pays off. Quite definitely interested in the affairs and activities of her clients, she will, if she sees someone that she knows in the company of a women with whom she has never seen the
man before, shout out "Whatsa matter, mastah, have got new missy? Where old missy go?"
Foreigners are good customers, usually because they are amused
or rendered sympathetic by the stories told. The Chinese are good
givers but for a different reason, feeling that it gives them face to
give to a begger. Chinese pro- stitutes, dancing and Sing Song
girls are legitimate prey for the mendicant class, as they are gener
ous givers. Unfortunately for the face of foreigners amongst the
Chinese, Russian beggers are comparitively common and are not above soliciting alms from the Chinese themselves.
and in Conclusion-
With this sympathetic critique of the profession which seems happier and more prosperous than any other group in town, Chinese or foreign, we wind up our interpre-tation of the multi-colored and complex Bagdad-on-the Whangpoo known as Shanghai.
One more thing before closing-something that might be termed
"the Shanghai ilusion." Many otherwise intelligent people, misled
by gaudy fiction on the East and by wacky movies produced by directors whose ideas of China were garnered in midwestern chop suey joints, conceive it to - be an eerie place peopled with sinister Orientals, embittered remittance men slowly going to hell. gin sling in hand, and painted adventuresses casting spells whilst murmuring cynical epigrams (Marlene Deitrich-like). Well, women paint and cast spells in Shanghai (just as they do in Snyder's Falls, Vermont) and men drink and go to
hell (and return) and it's rumored about that there are a few Chinese in the town. But as the incipiently-disapponted believers in such yarns find out, all of this is but part of "the Shanghai illusion" and is as phoney as a Hollywood opium joint.
Shanghai is a grand town. Not an atmospheric background for
Oriental melodrama, but a grand place to live, to work and to enjoy
life.
Many profess to hate the town, and to be waiting eagerly for a
chance to depart. Chances came and go and yet they seem to linger
on, making excuses for their dalliance.
And when they do go, those who have spent some time here and
come to know the place, there comes a feeling of regret as they sail down the river looking back at the Bund for the last time. a feeling that wherever they are going they will always want to come back.
The old town must have something.
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